綾奈ゆにこ
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ちいさい百合みぃつけた
2014-11-22 / 綾奈ゆにこ / KADOKAWA/角川書店 / 144
杂志专栏合集|中译cv25878777|部分短篇涉及偶像|15周年推特空间:写的时候考虑如何易于传达(安利)给读者,重视节奏,写完会朗读|借用长期合作者,本作书本art director评价https://twitter.com/uchikoga/status/1692519121194455223
章节
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ep.1 ふしぎの国の
きんいろモザイク 黄金拼图系列构成、#1/#2/#4/#6/#10/#12脚本|四格漫改|At around the same time, I had the opportunity to work on Kiniro Mosaic, and part of me found it weird the work could be considered yuri, but another part of me said “oh well, there’s nothing wrong with that either.” -
ep.12 きんいろのとき
きんいろモザイク 黄金拼图脚本、插曲作词|When we decided that the final episode would include the characters producing their own work, the director told me “Well then, let’s make that part into a musical.” I myself was surprised at the content, but I thought it would be a waste not to do something we normally couldn’t in the main story episodes. Because the characters are acting out a musical and not themselves, it was fine for Aya and Youko to become a mermaid princess and a prince in a romantic relationship. -
ep.1 【ろこどる】はじめてみた。
普通の女子校生が【ろこどる】やってみた。 普通女高中生要做当地偶像系列构成、#1/#2/#7/#9/#12脚本|Now that the work is all over, I can say this openly, but when I was working on Locodol, writing some parts of it helped me release the frustration pent-up from Kiniro Mosaic. Writing Kiniro Mosaic, I could only use the purest parts of myself lest I defile the beauty of the work, and it wasn’t easy. So when the time came to work on Locodol, only the dirty me was left. For that reason, the yuri intensity degree of the work became relatively high. Nevertheless, my intention when writing the script was to include enough humor to make the yuri ambiguous. But the execution of the finished product was going in the real deal direction. I saw it and thought, “Can’t make excuses for that…” (laughs). -
ep.1 枕男子 めりい
枕男子 枕男子系列构成、#1/#5/#6/#7/#10/#12脚本|泡面番|原创动画|第一次做原创|虽然是妄想异性陪睡题材,但是想要传达的是不分性别和身份的普遍的温柔,凭借这点不需要表记也可以和另一半集数区分开。 -
ep.1 出会っちゃった!
BanG Dream!系列构成、本作#1/#2/#4/#5/#11/#13/OVA脚本|原创动画|Q: What is BanG Dream! to you? A: Life.|15周年推特空间:哪怕没有人能够理解,也能照常活下去,工作和生活也能照常继续,在意识到这件事之后,活得更轻松了……但是仍然会有所憧憬 -
ep.1 Happy Party!
BanG Dream! 2nd Season BanG Dream! 第二季系列构成、本作#1/#3/#5*/#7/#11脚本(*与まつのゆき合著)|原创剧情和游戏剧情混编|在第一季观众反馈的压力下改变了表述方式,不使用如果脱离情境就难以理解的角色专属电波台词|改变了工作方式,减少对其他作者的脚本的修改 -
ep.1 最高の夢——ですよね!
BanG Dream! 3rd Season BanG Dream! 第三季系列构成、本作#1/#6/#11脚本|第一次从头创造角色“関係性でキャラクターを作っていきたい人間なので……”|和上一季动画类似,大量平铺直叙让观众看个清楚明白|小川在这团队中根本看不出是第一次写动画脚本 -
ep.1 羽丘の不思議ちゃん
BanG Dream! It's MyGO!!!!!系列构成、本作#1/#3/#7/#13脚本|原创动画|角色的情感交汇化为故事,由此决定叙述方式,同时注重单集分割的效果,整体来看节奏不稳|借用其他人描述其他作品的话:And at every step there is above all the risk that a story’s honesty will be clouded by good intentions, hypocritical calculations, or ideologies that exalt sisterhood in ways that are often nauseating. -
ep.12 It’s my go!!!!!
BanG Dream! It's MyGO!!!!!本作播出期间每集播出当晚会发推赞美邀请来一同创作的脚本家如何发挥了自己的长处,但是不包括小川的#8和和场的#12。从其他访谈推测,许多集数的部分段落在脚本家动笔之前就已经讨论好(与BanG Dream!第二、第三季类似;但本作明显地更能发扬各位脚本家的个人风格)。本集MC台词和赠礼部分明显不属于和场。 -
ep.1 ビックリなお届けもの!?
ビックリメン 圣魔大战系列构成、本作#1/#2/#5/#10/#12脚本|同类型动画中少见地正面讨论商品的价值;除去商品内容之外创作自由度较高,约稿能展现各位脚本家的个人特点|“感情と関係性とフェチ(欲望)が必要だ”